We don’t know what the dead man is thinking, but we eavesdrop on his family, at the funeral parlor and elsewhere, from grandson Jacky through wife, sons and daughters — seven streams of semi-consciousness.
These voices (alternately bitter, tender, lewd, sanctimonious, frightened but always egotistical) add up to a portrait not only of a family but a society. It is a tour de force with all the wit and irony we expect from Gérard Bessette, one of Quebec literature’s greatest stylist.
Le Cycle won the Governor General’s Award in 1972.